This is what you have to do to pass the American Guild of Organists Fellowship Exam
I spent the past week in Florida. I stayed with my mom in Melbourne, Florida for a few days. Then we both traveled to Orlando so that I could take the exam at St. Luke’s Episcopal Cathedral.
The American Guild of Organists offers multiple levels of certification from entry-level to advanced.
Service Playing Certificate
Colleague Certificate
Associate Certificate
Fellow Certificate
The fellowship exam is split into 2 major sections. You must get at least 70% overall and 50% on each individual “F” item.
Tests at the organ
Paperwork tests
Section 1: Tests at the organ
F1. (40 points)
Play the following pieces after 3 hours of registration/practice on the exam instrument:
Dieterich Buxtehude: Magnificat Primi Toni, BuxWV 203
J.S. Bach: Christ, unser Herr, zum Jordan kam, BWV 684, from Clavierübung III
Charles-Marie Widor: Allegro (first movement)from Symphonie VI
Gerre Hancock: Schönster Herr Jesu from A New Liturgical Year
F2. (10 points)
Play a passage of organ music at sight.
F3. (15 points)
Play at sight a passage of music in open score on four staves employing C clefs (soprano, alto, and tenor) and bass clef.
F4. (10 points)
Arrange at sight for the organ the piano accompaniment of a vocal score (which itself may be a reduction of an original accompaniment for orchestra).
F5. (10 points)
Transpose a passage of music, not more than a major third in either direction.
F6. (15 points)
Improvise a short piece (approximately two minutes in duration) in ternary form on a given theme. The candidate will supply a recognizable contrasting motif for the middle section. Clarity of form and structure will be expected.
SECTION 2 – Paperwork Tests
First Session (3.5 hours allowed)
F7. (20 points)
Counterpoint: Candidates should be prepared to analyze examples, respond to questions, and write brief examples of counterpoint in 16th- century style.
F8. (15 points)
Fugue: Candidates should be prepared to analyze examples, respond to questions, and write brief examples of 18th-century fugal composition.
F9. (15 points)
Essay: Write an essay on one of three given topics concerning the life and music of Max Reger.
Second Session (3.5 hours allowed)
F10. (15 points)
Ear Tests: (A) Write down from dictation a short passage in four parts, for which the key and time signature will be announced and the tonic chord played. (B) Write down from dictation a short passage of two-part counterpoint, for which the key (but not the time signature) will be stated and the tonic chord played. Test A will be played five times, Test B four times. One minute maximum is allowed between each playing.
F11. (15 points)
Orchestration: Demonstrate knowledge of the capabilities of orchestral instruments, the craft of orchestration, and the historical stylistic use of the orchestra through responses to questions, analysis of examples, the transcription of a brief passage for orchestra or ensemble, and/or the reduction of an orchestral score for performance on the organ.
F12. (20 points)
Composition: Write a composition for unaccompanied voices on a given text. The length will be specified. Imaginative use of the tools of composition will be expected.